The Farb Highpass filter from Making Sound Machines pulls away from the traditional lowpass transistor ladder filter, branching into unique territory with a highpass filter built on the foundations of an analog transistor ladder. This quirky module not only differentiates itself by its core focus on highpass filtering but also enhances its sound shaping capabilities through the inclusion of CV-able resonance and a Tilt EQ.
At the heart of the Farb Highpass lies a circuit distinctly different from those found in classic ladder filters. This divergence results in a distinctive element in the creation of nuanced electronic music, providing an assortment of sonic textures that range from warm and immersive to brilliantly sizzling and sparkling. The effects achieved with this highpass filter reach far past the standard cutoff manipulation, enabling a wider spectrum of tonal expressiveness.
Adding to its one-of-a-kind design, the implementation of CV-able resonance into the feedback path extends the range of effects this module can dish out. This means, in addition to sweeping the frequency spectrum with precision, you are also able to control the resonance with a voltage source like an LFO or an Envelope Generator for moving, dynamic sounds.
What really sets the Farb Highpass apart is the inclusion of a Tilt EQ. The sheer power it adds to the highpass filter cannot be understated. It allows you to inject warmth into the sounds produced, creating thick, luxuriant soundscapes that resonate with aural warmth. Alternatively, it can help accentuate the high-pass effect, invoking a more incisive, sizzly sound that adds an extra dose of vibrancy to your module array. The highpass and the Tilt EQ paired together endow this module with a remarkable ability to shape and mold sounds with an expressive character.
In the world of Eurorack, modules must impress with their abilities to transform sounds in unique ways. The Farb Highpass does just that, replacing the predictable with innovative sound design elements that have the power to liven up any music production. Its meticulous design truly stands out among Eurorack filters, offering creative solutions for sound-makers eager to expand their pallet of tonal colors.
Whether its the polished elegance of the warm sounds that peak your interest, or the scintillating sizzles that spark your inspiration, the Farb Highpass is a showcase of just how versatile an analog transistor ladder highpass filter can be. Unleashing a new realm of possibilities for Eurorack enthusiasts, it is undeniably an exciting addition to any modular setup.
Novice-Level Usage Example:
Let's dive into the world of the Farb Highpass, an analog transistor ladder highpass filter that opens up a whole new range of sonic possibilities in your Eurorack setup.
To get started, patch the output of your favorite oscillator into the audio input of the Farb Highpass module. Adjust the cutoff frequency knob to find your desired starting point for the filter. As you turn the knob clockwise, notice how it gradually attenuates the lower frequencies while allowing the high frequencies to shine through.
Now, let's add some movement to the filter using the resonance control. Connect an LFO module to the CV input jack of the resonance parameter. Start with a slow and gentle waveform like a sine wave to add subtle modulation. As you increase the resonance, you'll notice that the filter emphasizes certain frequencies, creating a dynamic and expressive tone.
To further shape your sound, explore the Tilt EQ feature. Turn the Tilt EQ knob counterclockwise to bring back some of the warmth that you might have lost while emphasizing the high frequencies. Alternatively, turning it clockwise accentuates the highpass filter effect, adding a touch of sizzle to your sound. Play around with this parameter to find the perfect balance between warmth and brightness.
Experiment with different combinations of oscillators, LFOs, and other modulation sources to unlock a world of highly textured and evolving sounds. And remember, the Farb Highpass is just one piece of the puzzle in your modular synth journey – feel free to explore and combine it with other modules to create truly unique sonic landscapes.
Whether you're a beginner or an experienced modular enthusiast, the Farb Highpass brings a versatile and creative tool to your setup. So dive in, turn the knobs, and let your sonic exploration begin!
One creative way to use the Farb Highpass is to create rhythmic effects by modulating the cutoff frequency with a LFO. Start by connecting a LFO module, such as the Mutable Instruments Tides, to the CV input of the Farb Highpass. Set the LFO to a square wave or a sawtooth waveform for a more rhythmic effect.
Next, adjust the cutoff frequency knob on the Farb Highpass to a moderate setting. As the LFO modulates the cutoff frequency, you'll notice the sound opening up and closing down in a rhythmic manner.
To further enhance the effect, you can increase the resonance of the Farb Highpass by turning the resonance knob clockwise. This will add emphasis to the cutoff frequency, creating a more pronounced rhythmic effect.
Experiment with different LFO rates and waveforms to find the perfect rhythmic pattern for your composition. You can also try syncing the LFO to your DAW's tempo or other clock sources for precise synchronization with your music.
By using the Farb Highpass in this way, you can add dynamic and evolving rhythmic elements to your tracks, making them more engaging and interesting for your listeners.
One creative way to utilize the Farb Highpass module is to create a dynamic and evolving bassline sequence. Start by sending a steady, rhythmic bassline signal from a sequencer into the module's audio input. Adjust the cutoff frequency of the highpass filter to remove the lower frequencies, leaving space for other elements in the mix.
Next, engage the CV-able resonance feature and patch an LFO (Low-Frequency Oscillator) into the resonance CV input. Set the LFO to a slow speed and adjust the depth to modulate the resonance amount. This will create subtle, evolving harmonics in the filtered bassline, adding movement and interest to the sound.
To further shape the timbre of the bassline, experiment with the Tilt EQ. If you want to bring back some warmth to the highpass-filtered bassline, gradually tilt the EQ towards the low frequencies. Conversely, for a more pronounced and sizzly sound, tilt the EQ towards the high frequencies.
To make the bassline sequence even more dynamic, patch an envelope generator into the cutoff CV input. Set the envelope to a short attack and release time, and trigger it with a sequencer or a gate signal. This will create dynamic filter sweeps that follow the rhythm of the bassline sequence.
Be sure to experiment with different modulation sources for the resonance and cutoff frequency, such as envelope followers or even other sequencer-generated CV signals. This will allow you to create complex and evolving basslines with the Farb Highpass module, adding depth and movement to your electronic music productions.