The Reverse Landfill Noise V9 Eurorack Module is a versatile and dynamic patchable noise source that is perfect for those who love experimenting with unpredictable and unconventional sounds. Based on four square wave oscillators, this module creates evolving and unpredictable sonic textures that can be used for a range of applications from harsh noise to snares, hi-hats, or even as "unpure" audio texture designs.
One of the unique features of this module is the clock divider that modulates the square wave oscillators, allowing for even more variation in sound. The two switches on the module set the range of OSC1 and OSC2, with three options per switch, providing a wide range of tonal possibilities.
The module includes a patchbay with 20 patchpoints, which opens up a world of creative potential for audio experimentation. By patching LDRs or resistors into the patchbay, users can further manipulate the sound, creating even more interesting and unexpected results.
Another exciting aspect of this module is the ability to combine the 12 different divisions in various ways to create unique and unusual sounds. This level of versatility enables users to customize their sounds to suit their specific needs, making the Reverse Landfill Noise V9 Eurorack Module ideal for a wide range of musical projects.
In conclusion, the Reverse Landfill Noise V9 Eurorack Module is an excellent option for those who love to experiment with unpredictable and evolving sounds. With its four square wave oscillators, clock divider, and patchbay with 20 patchpoints, users can create a diverse range of sonic textures, making this module a versatile and valuable addition to any eurorack setup.
If you're new to using the Reverse Landfill Noise V9 Eurorack module, a simple way to start exploring its sound capabilities is by connecting the output to a filter or an effects module. By doing this, you can create various types of noise textures and manipulate the sound in real-time. Try experimenting with different settings on OSC 1 and OSC 2 to find the range that suits your needs, then use the patchbay to create even more variation by patching in LDRs or resistors. Bear in mind that the sound is unpredictable and evolving, so don't be afraid to try out different combinations of settings and patches until you find the sound you're looking for.
To create a unique and evolving drum pattern, patch the Reverse Landfill Noise V9 module into a sequencer and set the switches to the range of OSC1 and OSC2 that fits your desired sound. Next, patch different divisions from the clock divider into separate input channels of a mixer. From there, experiment with different combinations of the divided outputs to create new and unpredictable rhythms. Additionally, patching in LDRs or resistors into the patchbay can add further unexpected variations to the sound. This approach can lead to exciting and original drum parts for your productions.
One creative use of the Reverse Landfill Noise V9 Eurorack module is to patch the four square wave oscillators to different filter modules and use them to create evolving and unpredictable filtered noise textures. By sending different clock divisions to different filters, you can create complex and ever-changing soundscapes that range from subtle ambient drones to harsh and abrasive sonic blasts. You can also experiment with patching LDRs or resistors into the patchbay to create even more unusual and unexpected results. This makes the Reverse Landfill Noise V9 a great choice for sound designers and experimental musicians who want to explore the limits of noise generation and manipulation.