Unleash chaos and creativity in your Eurorack system with the powerful combination of Clank Chaos and Tiptop Audio MixZ modules.
Clank Chaos is a six-channel aleatoric brain that generates a continuous stream of gates and voltages, allowing you to quickly finalize your idea from a chaotic mood to a controlled and determined one. This module offers immense flexibility for various applications, with features like independent probability, width, swing, ratcheting, time control, and the option to use internal or external random generators. You can shape chaos into a predictable pattern and use it as an advanced Turing machine, drum sequencer, modulation generator, clock source, voltage recorder, and much more.
The Tiptop Audio MixZ module is a four-channel mixer with individual fader pots and filter routing switches. Each audio line can be sent to the voltage-controlled filter (VCF), band-pass filter (BPF), or both. What sets this module apart is the ability to use incoming CV signals to modulate the filter frequency cutoff, adding a dynamic and expressive element to your sound. This opens up endless possibilities for sound experimentation and modulation in your Eurorack setup.
By combining the Clank Chaos and Tiptop Audio MixZ modules, you can create unique and unpredictable sonic landscapes. The Chaos module generates random gates and voltages, injecting an element of surprise and spontaneity into your compositions. It can breathe life into stagnant rhythms and add an otherworldly touch to your melodies. The MixZ module, on the other hand, allows you to shape and mold the sounds generated by Chaos, giving you precise control over the tonal characteristics and spectral content.
Imagine connecting the outputs of Clank Chaos to the inputs of MixZ, letting the chaotic signals flow through the mixer's filters, and then sending the processed audio to other modules in your system. You can use the Clank Chaos as a rhythmic generator, triggering drum modules or sequencing melodic lines, while the MixZ shapes and sculpts the sound.
For example, you could route the outputs of Clank Chaos to different channels of MixZ, assigning each channel to a different filter type, such as low-pass, high-pass, or band-pass. As the random gates and voltages from Chaos traverse through the MixZ, the filters will apply their unique frequency responses to the signals, adding texture and movement. You can then use the individual fader pots and CV control over the filter cutoff to further shape the sound.
Furthermore, the MixZ module's ability to accept incoming CV signals for modulation opens up even more possibilities. You can patch various modulation sources, such as envelopes or LFOs, into the CV inputs of MixZ to dynamically modulate the filter cutoff frequencies. This allows for complex and evolving soundscapes that change over time.
In conclusion, the combination of Clank Chaos and Tiptop Audio MixZ modules offers endless possibilities for sound experimentation and modulation in your Eurorack setup. Whether you're looking to inject chaos and unpredictability into your compositions or shape and mold sound with precise control, these modules are powerful tools for unleashing your creativity.
In this Novice-level usage example, we will explore how to combine the Clank Chaos module, Tiptop Audio MixZ, Endorphin.es Two of Cups, G-Storm Electro SH5-VCF, Befaco Pony VCO, and Mosaic Bass Drum in a Eurorack setup.
To start, connect the outputs of the Clank Chaos module to the inputs of the Tiptop Audio MixZ. The Clank Chaos module provides six channels of gates and voltages, which can be randomly generated or sampled from external sources. The Tiptop Audio MixZ is a four-channel mixer, and it will allow you to mix and blend the gate and voltage signals from the Clank Chaos module.
Next, connect the outputs of the Tiptop Audio MixZ to the inputs of the Endorphin.es Two of Cups module. The Two of Cups is a sample player with eight banks of samples. With the gate and voltage signals from the Tiptop Audio MixZ, you can control the pitch, gate, and meta samples of each channel on the Two of Cups module. You can also adjust various parameters like decay, sample volume, pitch offset, and sample selection.
Now, let's add some filtering to our sound. Connect the outputs of the Endorphin.es Two of Cups module to the inputs of the G-Storm Electro SH5-VCF module. The SH5-VCF is an analog dual filter with a mixer. By routing the audio signals from the Two of Cups module to the appropriate filter inputs on the SH5-VCF, you can shape and modulate the sound further. Experiment with different filter configurations and modulation options to create unique tones.
To add some modulation to the mix, connect the outputs of the Clank Chaos module to the modulation inputs of the G-Storm Electro SH5-VCF. The Clank Chaos module provides six channels of modulated gates and voltages, which can be used to control the frequencies of the filters on the SH5-VCF. Play around with the chaos parameters of the Clank Chaos module to introduce unpredictable and evolving modulation to your sound.
Finally, let's add some rhythmic elements to our patch. Connect the outputs of the Clank Chaos module to the inputs of the Mosaic Bass Drum module. The Bass Drum module is a synthesized kick drum voice that can be triggered by the gates from the Clank Chaos module. Use the controls on the Bass Drum module to shape the character and decay of the kick sound.
Take some time to experiment and explore the possibilities of this Eurorack setup. By combining the Clank Chaos, Tiptop Audio MixZ, Endorphin.es Two of Cups, G-Storm Electro SH5-VCF, Befaco Pony VCO, and Mosaic Bass Drum modules, you can create chaotic and creative patches that push the boundaries of electronic music. Enjoy the madness and embrace the chaos!
To unleash Eurorack madness with Clank Chaos and Tiptop Audio MixZ, we can combine the modules in the following way:
- Connect the output of the Clank Chaos module to one of the inputs of the Tiptop Audio MixZ module.
- Connect the output of the Endorphin.es Two of Cups module to another input of the Tiptop Audio MixZ module.
- Connect the output of the G-Storm Electro SH5-VCF module to a third input of the Tiptop Audio MixZ module.
- Connect the output of the Befaco Pony VCO module to a fourth input of the Tiptop Audio MixZ module.
- Connect the output of the Mosaic Bass Drum module to a fifth input of the Tiptop Audio MixZ module.
By doing this, we can mix the different audio signals generated by these modules together in interesting ways. The Tiptop Audio MixZ module allows us to control the volume levels of each input and create complex sonic textures by blending the sounds in different combinations. With Clank Chaos providing random gates and voltages, the Two of Cups offering sample playback, the SH5-VCF delivering filtering capabilities, the Pony VCO generating oscillations, and the Bass Drum adding powerful kicks, the possibilities for creative experimentation and sonic exploration are endless. Let the chaos unfold and dive into the madness of Eurorack synthesis!
In this Eurorack build, we will combine the Clank Chaos, Endorphin.es Two of Cups, G-Storm Electro SH5-VCF, Befaco Pony VCO, and Mosaic Bass Drum modules to create a chaotic and creative synthesizer setup.
First, let's start with the Clank Chaos module. This module will serve as the brain of our system, providing a continuous stream of gates and voltages generated by a sophisticated random engine. We can use its six gate outputs with independent probability, width, swing, ratcheting, and time control to trigger various events in our patch. Additionally, the six voltage outputs with independent quantization, slew, and random voltage windows selection will add random variation to our melodies and modulation sources. The Chaos module can also sample external incoming voltages, allowing us to incorporate external sources into the chaos mix. With its looping capability and the ability to save and recall eight slots, Chaos offers immense flexibility for experimental sound design. We can also use external CV control to modulate looping, chaos, slot recalling, and random voltage CV in, opening up new avenues of control within our patch.
Next, let's incorporate the Endorphin.es Two of Cups module. This 2-voice sample player will bring a new sonic dimension to our setup. With its eight banks, each containing 24 samples, we can quickly access a wide range of sounds to layer and manipulate. The CV control over pitch, gate, and meta samples scan will allow us to dynamically modulate the playback parameters. Each channel also features a parameter knob for controlling decay, sample volume, pitch offset, sample selection, and looping. With the ability to play WAV files of different sample rates and bit depths, we can explore various textures and timbres using the Two of Cups module. The factory sound bank by Julia Bondar provides an excellent starting point for sonic exploration.
To shape and filter our sound, we will use the G-Storm Electro SH5-VCF module. This analog Eurorack adaptation of the Roland SH-5 mixer and dual filter will add character and depth to our patches. The SH5-VCF module features a low pass circuit comprised of open-collector matched transistor pairs arranged in a diode ladder configuration. It also offers a dedicated band-pass filter with a voltage-controlled feedback path for frequency control via external signals. With four audio signal inputs, fader pots, and filter routing switches, we can shape our sound sources and send them through the different filtering options provided by the VCF and BPF. The CV modulation inputs allow us to further modulate the filter frequencies, adding movement and dynamics to our patches.
For oscillation and waveform generation, we will incorporate the Befaco Pony VCO module. This fully analog thru-zero oscillator features a wavefolder and a dedicated VCA in a compact 4HP size. The powerful core of the Pony VCO ensures excellent stability and tuning capabilities, making it an essential component of our setup. With the range selector, octave selector, and waveform selector, we have precise control over the generated waveforms and can explore a broad sonic palette, from subtle LFO modulations to rich harmonic content. The Pony VCO is an excellent addition to our Eurorack system, providing versatile sound generation possibilities.
Finally, we will add the Mosaic Bass Drum module to bring the low-end punch to our rhythm section. This dedicated kick voice module features synthesized kick drum sounds and offers 1V/Oct tracking over pitch for melodic possibilities. With knob and CV control over timbres and decay, we can shape the character of our kicks to fit the desired style and mood of our compositions. The Mosaic Bass Drum module will complete our setup, adding the dynamic foundation needed for driving rhythms and basslines.
By combining the Clank Chaos, Endorphin.es Two of Cups, G-Storm Electro SH5-VCF, Befaco Pony VCO, and Mosaic Bass Drum modules, we have created a system that thrives on chaos and creativity. From randomized gates and voltages to sampled and manipulated sounds, filtered waveforms, and powerful bass drums, this setup invites exploration and experimentation in the world of Eurorack synthesis. Whether you're crafting abstract textures or crafting intricate rhythms, this combination of modules will unleash the madness and creativity within your music production.