The first module, Basil by Bastl Instruments, is a flexible stereo space delay that offers a range of delay effects, from clean to lo-fi. With its V/Oct input and filter in the feedback path, it can even be used for Karplus-Strong synthesis.
The second module, Fracture by WMD, is a multi-particle percussion synthesizer that applies granular synthesis methods to create unique percussion sounds. It covers a wide range of timbres beyond claps and includes built-in reverb for added depth.
The third module, Snow by Reverse Landfill, is an analog video noise source with offset and volume controls, high-pass filtered outputs, and a comparator. It can generate chaotic textures, from starfields to blizzards.
The fourth module, Sinc Bucina by Noise Engineering, is a resonant low-pass gate with a variable filter slope, RC envelope generator, and slew. It offers versatile modulation options and can be used for complex slewing or classic release-only LPG behavior.
The fifth module, Reset Simulation by Frequency Central, is a boolean logic module with two inputs and eight simultaneous outputs. It allows for various logic operations, including NOT, AND, OR, XOR, and more.
By combining these modules, musicians and sound designers can unleash a synthetic symphony of sound, exploring new textures, rhythms, and modulation possibilities in their eurorack setups. :internal_private_article_id: bastl-instruments-basil_wmd-fracture-black_reverse-landfill-snow_noise-engineering-sinc-bucina-_frequency-central-reset-simulation
The article "Synthetic Symphony: Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation Unleashed!" explores the creative possibilities of combining five Eurorack modules.
The first module, Basil by Bastl Instruments, is a flexible stereo space delay that offers a range of delay effects, from clean to lo-fi. With its V/Oct input and filter in the feedback path, it can even be used for Karplus-Strong synthesis.
The second module, Fracture by WMD, is a multi-particle percussion synthesizer that applies granular synthesis methods to create unique percussion sounds. It covers a wide range of timbres beyond claps and includes built-in reverb for added depth.
The third module, Snow by Reverse Landfill, is an analog video noise source with offset and volume controls, high-pass filtered outputs, and a comparator. It can generate chaotic textures, from starfields to blizzards.
The fourth module, Sinc Bucina by Noise Engineering, is a resonant low-pass gate with a variable filter slope, RC envelope generator, and slew. It offers versatile modulation options and can be used for complex slewing or classic release-only LPG behavior.
The fifth module, Reset Simulation by Frequency Central, is a boolean logic module with two inputs and eight simultaneous outputs. It allows for various logic operations, including NOT, AND, OR, XOR, and more.
By combining these modules, musicians and sound designers can unleash a synthetic symphony of sound, exploring new textures, rhythms, and modulation possibilities in their eurorack setups.
- Tags: Eurorack Builds, Basil, Fracture, Snow, Sinc Bucina, Reset Simulation, Modular Synthesis, Eurorack Modules, Digital Delay, Space Delay, Delay Effects, Stereo Delay, Lo-fi Delay, Chorus, Flanger, Vibrato, Pitch Shifter, Reverb, Stereo Widener, Clean Effects, Glitchy Sound Design, Distorted Drones, Karplus-Strong Synthesis, Delay Tuning, Feedback Path, Stereo Spread, Delay Synchronization, Half Speed, Low-pass Filter, Freeze Function, Ambient Washes, Octave Jumps, Anti-aliasing Filter, Control Knob, CV Modulation, Drone Layers, Percussion Synthesizer, Granular Synthesis, Micro-samples, Clap Circuits, Timbres, Audience Applause, Stereo Output, Hall Reverb, Room Reverb, Trigger Inputs, Filter Types, Envelope Types, Video Noise Source, Chaotic Textures, Offset Controls, Volume Controls, Highpass Filter, Comparator, Resonant Low-pass Gate, Variable Filter Slope, RC Envelope Generator, Slewing, Boolean Logic Module, Truth Tables, Simultaneous Outputs.
- Modules:
- Basil by Bastl Instruments: Basil is a flexible stereo space delay module that offers a wide range of delay effects, from clean to lo-fi. With its V/Oct input and filter in the feedback path, it can even be used for Karplus-Strong synthesis. It features various controls and modulation options, allowing musicians to explore different delay textures and create unique soundscapes. Learn more about Basil [here](https://bastl-instruments.com/eurorack/modules/basil).
- Fracture by WMD: Fracture is a multi-particle percussion synthesizer module inspired by audience applause, hip-hop samples, and classic drum machines. It applies granular synthesis methods to create a diverse range of percussion sounds beyond claps. With built-in reverb and various controls, Fracture enables musicians to generate wild and dynamic percussion textures. Explore Fracture [here](https://wmdevices.com/collections/eurorack-modules/products/fracture).
- Snow by Reverse Landfill: Snow is a 2-channel analog video noise source module. It features offset and volume controls, high-pass filtered outputs, and a comparator. Snow allows users to generate chaotic and visually interesting textures, from starfields to blizzards. It's a unique module that adds a visual element to the sonic experimentation. Discover Snow [here](https://www.reverselandfill.org/diy/snow-analog-video-noise/).
- Sinc Bucina by Noise Engineering: Sinc Bucina is a resonant low-pass gate module that combines a variable filter slope, RC envelope generator, and slew. It offers versatile modulation options and can be used for complex slewing or classic release-only low-pass gate behavior. The module provides musicians with dynamic control over their sound and opens up possibilities for expressive modulation. Learn more about Sinc Bucina [here](https://www.noiseengineering.us/shop/sinc-bucina).
- Reset Simulation by Frequency Central: Reset Simulation is a boolean logic module with two inputs and eight simultaneous outputs. It allows for various logic operations, including NOT, AND, OR, XOR, and more. This module is useful for creating complex control voltages, triggering events, and generating intricate patterns in a eurorack setup. Utilize the creative potential of boolean logic with Reset Simulation. Explore the module [here](https://frequencycentral.co.uk/product/reset-simulation).
In conclusion, the combination of Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation modules opens up a world of creative possibilities in eurorack synthesis. By harnessing the unique features and capabilities of each module, musicians and sound designers can create a synthetic symphony of sound, exploring new textures, rhythms, and modulation possibilities in their eurorack setups.
Example Usage
In this novice-level example, we will explore how the Eurorack modules Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation can be combined to create a unique and expressive synthesizer patch.
To start, let's connect the output of the Fracture module to the input of the Basil module. Adjust the Density, Decay, and Tail parameters on the Fracture module to create a variety of percussion sounds. When triggered, Fracture will generate particle-based percussion hits that can range from classic drum machine claps to full audience applause. By connecting it to Basil, we can further shape these percussive sounds with delay, modulation, and reverb effects.
Next, let's take the output of Basil and route it to the Sinc Bucina module. The Sinc Bucina is a versatile module that combines a resonant low-pass VCF and VCA combo with envelope control. Connect the output of Basil to the Ping input of Sinc Bucina to enable release-only low-pass gate behavior. You can experiment with different delay times on Basil to create evolving sounds that interact with the envelope response of Sinc Bucina.
To add an extra layer of complexity, connect one of the trigger outputs from the Fracture module to the Gate input of Sinc Bucina. This will introduce dynamic slewing to the envelope, allowing for more intricate modulation and evolving textures.
Now, let's bring in the Snow module to add a visual element to our synthesizer patch. Connect the output of one of the offset noise channels on Snow to a modulation input on either the Fracture or Sinc Bucina module. This will introduce chaotic textures and random fluctuations to the percussion hits or the envelope response, adding an extra layer of unpredictability and organic character to the sound.
Finally, let's use the Reset Simulation module to create interesting rhythm variations. Connect the NOT A, NOT B, AND, NAND, OR, NOR, XOR, or XNOR outputs of the Reset Simulation module to different trigger inputs across the patch. Experiment with different combinations to generate rhythmic patterns and complex logic interactions between the modules.
By combining the Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation modules in this way, you can create a mesmerizing and sonically diverse synthesizer patch that will take your Eurorack system to new heights of creativity. Have fun exploring the possibilities!
In this intermediate-level usage example, we'll explore how to combine the Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation modules to create a dynamic and textured percussion sequence.
To start, let's use the Fracture module as the core of our percussion sound. Connect one of the trigger inputs on Fracture to a sequencer or gate source. Adjust the Density, Decay, and Tail knobs to shape the tone and tightness of the percussion hits. Experiment with different types of impulse samples using the Sample Selector knob to create a variety of percussive sounds.
Next, let's add some modulation and sequencing to our percussion sequence. Use one of the outputs from the Snow module as a chaotic modulation source. Patch the offset noise output to modulate parameters on Fracture, such as Density or Decay. This will add random variations to the percussion hits, creating a more organic and evolving sequence.
Now, let's introduce the Sinc Bucina module to add additional modulation and envelope shaping to our percussion sequence. Patch the Envelope Out from Sinc Bucina to modulate the Filter or Pitch on Fracture. This will create dynamic variations in the tonal characteristics of the percussion hits.
To further expand the possibilities of our percussion sequence, let's use the Reset Simulation module for logic processing. Take the output of the Fracture trigger source and split it, sending one output to the A input of Reset Simulation and the other to the B input. This will allow us to create complex rhythmic patterns by combining different logical operations. Experiment with the different outputs of Reset Simulation, such as AND, OR, XOR, to generate interesting variations in the triggering and timing of the percussion hits.
Finally, don't forget to utilize the space and delay effects of the Basil module to add depth and ambience to your percussion sequence. Patch the output of Fracture to the input of Basil, and adjust the delay time, feedback, and space parameters to sculpt the desired spatial qualities of your percussion hits.
By combining the Basil, Fracture, Snow, Sinc Bucina, and Reset Simulation modules in this manner, you can create complex and evolving percussive sequences that are rich in texture, modulation, and rhythmic variation. Explore different patch configurations and experiment with various parameters to discover your own unique soundscape within the realm of Synthetic Symphony.
Further Thoughts
In this patch, we will explore the combination of the Bastl Instruments Basil, WMD Fracture, Reverse Landfill Snow, Noise Engineering Sinc Bucina, and Frequency Central Reset Simulation modules to create a unique and dynamic synthetic symphony.
First, let's start by connecting the output of the WMD Fracture module to the input of the Basil module. The Fracture module will provide us with a wide range of granular percussion sounds, while the Basil module will add stereo delay and space effects to these percussive elements.
Next, we will use the Sinc Bucina module as an envelope generator and VCF/VCA combo to shape the percussive sounds coming from the Fracture module. We can route the output of the Basil module into the Sinc Bucina's Gate in to add dynamic modulation to the percussive sounds.
To further enhance the texture and atmosphere of our synthetic symphony, we can connect the output of the Reverse Landfill Snow module to a mixer or audio interface. The Snow module will generate analog video noise, which can be converted into audio noise, creating interesting chaotic textures that will add depth and character to our patch.
Finally, let's bring everything together by connecting the output of the Sinc Bucina module to the input of the Frequency Central Reset Simulation module. The Reset Simulation module will allow us to apply Boolean logic to the percussive sounds and noise generated by the previous modules, creating complex rhythmic patterns and unique sequences.
With this combination of modules, we have the flexibility to create a wide range of sounds, from clean delays and ambient washes to glitchy sound design and distorted drones. The stereo capabilities of the Basil module, along with the granular percussion synthesis of the Fracture module and the chaotic textures of the Snow module, will provide us with a rich sonic palette to explore and experiment with.
Whether you are a seasoned eurorack user or just diving into modular synthesis, this combination of modules will inspire your creativity and take your sound design to new heights. Get ready to unleash a synthetic symphony like no other!