Exploring the Multi-Directional Sounds of the Jolin Ashiko: A Quad Stereo VCA Module Review

The Jolin Ashiko is a versatile module that opens up endless possibilities for creating multi-directional sounds from mono sources in a quadrophonic system. The quad stereo VCA module comes with four stereo full range VCAs that allow up to four sources to be controlled with independent CVs and sent out to eight different outputs. It's perfect for instantly creating a stereo image with a mono source and a single CV input, CV switching a sequence and sending it to two different oscillators, or directing movements in a quadrophonic system.

One of the most impressive features of the Jolin Ashiko is its ability to work with different sources such as LFOs, oscillators, delays, and samples. The module's transistor-based CV inputs are specifically designed to provide the best results with LFOs. Users can easily manipulate the stereo field of oscillators by using them as audio sources. The delays on the module also allow for instant ping-pong effects, and samples can be manipulated in the mix with added modulations.

The Jolin Ashiko also offers flexibility with its individual toggle switches that activate mono or stereo mode, and selectable hard/soft switching curves. It has a "Whatever" power connector that doesn't require attention to polarity. The input and CV are normalled, flowing from top to bottom when no jack is inserted.

Overall, the Jolin Ashiko is a powerful tool for manipulating stereo images and creating unique soundscapes in a quadrophonic system. Whether you're a professional electronic music producer or an amateur sound designer, the Jolin Ashiko can help you create complex and diverse multi-directional sounds with ease.

Example Usage

A novice user can start by using the Jolin Ashiko to create stereo effects with mono sources. Simply plug in a mono sound source and apply a single CV input to the module. Toggle the switch to activate stereo mode and adjust the hard/soft switching curve to your liking. This will instantly create a multi-directional sound that enhances the stereo field of your music. Add an LFO or oscillator for more modulation and experimentation.

One intermediate-level usage example for the Jolin Ashiko would be using it to add depth and movement to a drum sequence. With the Jolin Ashiko's four stereo full range VCAs, you can use individual CV inputs to control the level and panning of each drum hit. By blending in LFOs and oscillators, you can create a dynamic stereo image and add movement to the sequence. With the option to switch between mono and stereo modes, as well as selectable hard/soft switching curves, you have precise control over the directionality of the sound. Additionally, the ability to direct the movements in a quadrophonic system allows for even more creative exploration of multi-directional soundscapes.

Further Thoughts

The Jolin Ashiko is a powerful tool for creating multi-directional sounds, and one great usage example is in creating a quadrophonic system. By using the four stereo full range VCAs, you can control up to four audio sources with independent CV inputs and send them to eight different outputs. This allows you to direct the movements of sound in all four directions, creating an immersive and dynamic listening experience. To enhance this effect even further, try using oscillators and delays in the stereo field, as well as manipulating the presence of samples in the mix with additional modulations. The Jolin Ashiko's transistors-based CV inputs ensure optimal performance with LFOs, and the selectable hard/soft switching curve allows for even more sound exploration.