The device acts as a mix between an audio effect and an audio instrument, allowing users to quickly create variations of a sound or entirely new textures. It achieves this by utilizing peculiarly shaped single-cycle control wavetables, whose amplitudes have been summed up and normalized following a specific ratio. This maintains a time-domain relationship between the unprocessed (DRY) and processed (WET) sample.
W.I.S.E. features a topological connection between two samples and the control waveforms, ensuring a consistent journey duration due to their consistent summed and renormalized index values. Additionally, dynamic traversal of the original audio file is made possible through features like amplitude and phase control.
To use W.I.S.E., simply load it onto a MIDI Track, drop a sample into it, send some MIDI notes, and start experimenting. For more information and a detailed user manual, you can visit the provided pastebin link.
Those interested in understanding how waveforms are integrated in W.I.S.E. can also read the essay draft shared by the author through another pastebin link.
Lastly, it's worth mentioning that W.I.S.E. has a mono lo-fi sibling (W.I.S.E. ino), which offers a more vintage sound and is slightly less CPU-intensive.
For those looking to create or draw integrated waveforms, there is another device available that complements W.I.S.E.
Overall, the W.I.S.E. 1.0 Max4Live device is a powerful tool for exploring experimental sampling and synthesis, providing a unique approach to manipulating audio samples in real-time. :internal_private_article_id: wise-1-0-exploring-experimental-sampling-and-synthesis-with-max4live.html
W.I.S.E. 1.0, created by weightausend, is an experimental sample player, synthesizer, and looper that utilizes Wavetable-Integrated Sample Engine (W.I.S.E.) technology. Its distinctive design, which amalgamates complex single-cycle waveforms and modulation parameters, enables real-time control over the time domain of a sample. This advancement strikes a balance between an audio effect and an instrumental input, facilitating the rapid creation of sound variations and entirely new textures.
Through meticulously shaped single-cycle control wavetables, amplitudes have been fully summed up and normalized. Each amplitude follows a precise ratio, maintaining a consistent time-domain relationship between the unprocessed (DRY) and the processed (WET) sample. This technological innovation lays the foundation for a consistent journey duration. The topological connection between two samples contributes to this consistency through the equalized index values despite the variations in the control waveform shapes.
Another striking characteristic of the W.I.S.E. 1.0 device is its dynamic traversability of the original audio file. This feature is achievable through amplitude and phase controls, which offer routes that may vary yet remain equivalently topological in length.
Flawlessly integrating with a MIDI track, W.I.S.E. 1.0, upon loading, calls for a dropped sample and the addition of MIDI notes to start the experimental journey. A comprehensive user manual, complete with step-by-step instructions and detailed information, can be accessed through a specified pastebin link.
For a deeper understanding of the integration of waveforms in W.I.S.E. 1.0, an essay draft is also accessible. This material offers insights into the mechanics of this innovative technology, allowing users to better understand and appreciate the intricacies of sound sampling and synthesis.
In addition to its main features, W.I.S.E. 1.0 introduces a sibling variation that exudes a more vintage sound: the W.I.S.E. ino. This mono lo-fi version is less CPU-intensive while still delivering a unique audio experience.
On top of all these, another device that can help users create or draw integrated waveforms is also available, complementing the suite of features that W.I.S.E. 1.0 offers.
With these technological advancements and unique take on manipulating sound samples in real-time, W.I.S.E. 1.0 is an indispensable tool for music enthusiasts and producers who have a penchant for exploring the eclectic realm of experimental sampling and synthesis.
Example Usage
To get started with W.I.S.E. 1.0, follow these simple steps:
- Load the device onto a MIDI track in Ableton Live.
- Drag and drop a sample into the device.
- Send MIDI notes to the track and start experimenting with the sound.
- Use the various controls and parameters to manipulate the sample's playback speed, amplitude, and phase.
- Explore the different integrated waveforms to create unique variations and textures.
- Take advantage of the topological connections between the original and processed sample to create interesting sonic journeys.
- Have fun exploring the experimental sampling and synthesis capabilities of W.I.S.E. 1.0!
For more detailed instructions and information about the device, refer to the device's manual, which can be found at the following link: [W.I.S.E. 1.0 Manual](https://pastebin.com/pNgnFJLz)
If you're interested in learning about the integration of waveforms in W.I.S.E., the author has also shared an essay draft that you can read here: [W.I.S.E. Essay Draft](https://pastebin.com/75Zn5JHT)
Lastly, if you enjoy the sound and concept of W.I.S.E. 1.0, you might want to check out its mono lo-fi sibling, W.I.S.E. Ino, which offers a more vintage sound while being less CPU-intensive: [W.I.S.E. Ino](https://maxforlive.com/library/device/9445/w-i-s-e-ino)
Now, it's time to unleash your creativity and dive into the world of experimental sampling and synthesis with W.I.S.E. 1.0!
To use W.I.S.E. 1.0, follow these steps:
- Load W.I.S.E. 1.0 onto a MIDI track in Ableton Live.
- Drop a sample into the device.
- Send MIDI notes to the track.
- Start experimenting with the controls and parameters of W.I.S.E. 1.0.
By manipulating the amplitude values of the incoming MIDI stream, you can control the playback speed of the sample in real-time. This allows you to create variations of the same sound or even entirely new textures quickly.
W.I.S.E. 1.0 combines the functionalities of an audio effect and an audio instrument. It utilizes peculiarly shaped single-cycle control wavetables to maintain a time-domain relationship between the unprocessed (DRY) and the processed (WET) sample. These control waveforms, despite having varying shapes, share a "common path" in journey duration due to consistent summed and renormalized index values.
Additionally, W.I.S.E. 1.0 offers features like amplitude and phase control, enabling dynamic traversal of the original audio file. This opens up routes that, while different from each other, are topologically equivalent in length.
So, get creative and dive into the world of experimental sampling and synthesis with W.I.S.E. 1.0. Explore its diverse capabilities and unlock new sonic possibilities for your music production.
Further Thoughts
One exciting way to utilize W.I.S.E. 1.0 in your music production is by creating evolving and textured pads. By loading W.I.S.E. onto a MIDI Track and dropping a sample into it, you can unleash the power of experimental sampling and synthesis.
Start by sending MIDI notes to trigger the sample playback. As the incoming stream of amplitude values controls the audio file's playback speed, you can transform the original sound into various timbral variations in real-time. Experiment with different modulation parameters to achieve unique and mesmerizing textures.
One key feature of W.I.S.E. is its topology-inspired design. The device incorporates complex single-cycle waveforms, which can be shaped and manipulated by the control wavetables. These wavetables maintain a time-domain relationship between the original dry sample and the processed wet sample. This characteristic ensures that your variations and textures stay coherent and connected.
Take advantage of the amplitude and phase control to dynamically explore different paths within the audio file. Although these paths may sound different, they possess topological equivalence in length, offering you a multitude of sonic exploration possibilities.
If you're seeking a more vintage and lo-fi sound, you can also explore W.I.S.E.'s little brother, the W.I.S.E.-ino. This mono lo-fi version retains the experimental nature of its predecessor but carries a distinct nostalgic charm.
To further enhance your creative process, you can utilize the Integrated Waveform Generator device. This companion device allows you to draw and create your own integrated waveforms, expanding your sonic palette even further.
With W.I.S.E. 1.0 as your ally, your musical experimentation knows no bounds. Dive into the world of experimental sampling and synthesis, and unlock a universe of unique soundscapes and textures.
[Product Link: W.I.S.E. 1.0 - Experimental Sampling and Synthesis Device](https://maxforlive.com/library/device.php?id=<device_id>)