Exploring the Spatial Soundscapes: A Guide to 3 Axis Pingpong Delay 1.0

The channels are as follows: - Channel 3/4: Left/Right - Channel 5/6: Front/Back - Channel 7/8: Up/Down

In addition to the spatial effects, the device also offers conventional use with a mix controlled by the axis-based gain knobs on channels 1/2. The room size controls the delay time, while the position controls the separation between delays on opposite sides of the same axis. The feedback knob controls the attenuation for all axes simultaneously, creating interesting sonic textures.

Other controls include the mix knob for dry/wet blending on channels 1/2, and the axis gains that affect the gain before post-processing and also affect direct channel outputs.

The article provides a comprehensive guide on using the 3 Axis Pingpong Delay 1.0, discussing its features, controls, and creative possibilities. It caters to electronic music producers looking to explore spatial soundscapes and expand their sonic palette. :internal_private_article_id: 3-axis-pingpong-delay

Crafted by maokus, the 3 Axis Pingpong Delay 1.0 isn't your everyday delay machine. With this Max4Live device, your sound travels as if it were three pingpong balls bouncing off in different directions, creating sonic corridors and generating immersive spatial experiences.

To understand the essence of this device, envisage the sound as three pingpong balls fired to the right, forwards, and upwards. The significant audio experience comes into play when these sonic balls reflect off the wall, reaching the listener's ear through a specified channel. These channels consist of: - Channel 3/4: Simulates sound traveling Left/Right - Channel 5/6: Simulates sound traveling Front/Back - Channel 7/8: Simulates sound shooting Up/Down

This configuration transforms your listening environment into a tri-dimensional soundscape where music knows no boundaries. But there's more than meets the ear.

Conventional users can get their dose of familiar taste through channel 1/2, which offers a mix controlled by the axis-based gain knobs. With this, it doesn't matter if you're a spatial sound learner or an established producer, the software caters adeptly to all.

Alter the room size to control the delay time. This simulates a sonic room where the scope of the sound's journey - short, long, confined or broad, is entirely at your disposal. On another note, you control the separation between the delays on opposite sides of the same axis using the Position function.

Hop onto the interactive train with the Feedback knob, controlling the attenuation for all axes simultaneously. Get experimental and twist your sound into intriguing shapes and forms that don't just conform to your sonic palette but expand it.

Blend the signals using the Mix knob, which controls dry/wet on channels 1/2, and the Axis Gains that not only impact the gain before the post-processing but also the direct channel outputs. This feature gives you immense control whether you want to maintain the subtlety or crank things up.

Without a doubt, the 3 Axis Pingpong Delay 1.0 steps beyond standard echoic effects, offering a unique experiential journey through sound. By playing with spatial parameters, delay durations, and getting hands-on with the relevant knobs in real-time, you're opening new domains for creative exploration. Whether you're creating Ambisonic environments or crafting geometric grooves, this Max4Live device offers a rewarding, inspirational tool.

Remember: don't just play music, traverse it. Encourage your listeners to feel enveloped in your soundscapes and let them enjoy the journey as they follow each pingpong ball bouncing through the space. Atmosphere and emotion are key in music production, and this device is your ticket to unlocking uncharted sonic landscapes.

Example Usage

Usage Example:

Suppose you have a drum loop that you want to add some spatial depth to using the 3 Axis Pingpong Delay 1.0 Max4Live device. Here's how you can achieve that:

  1. Load the 3 Axis Pingpong Delay 1.0 device onto a MIDI track in Ableton Live.
  2. Set the room size parameter to a moderate value to control the delay time. A larger room size will result in longer delays, while a smaller room size will make the delays sound tighter.
  3. Adjust the position parameter to control the separation between delays on opposite sides of the same axis. This will affect how wide the delays are spread in the stereo field. Experiment with different positions to find the desired level of separation.
  4. Use the feedback parameter to control the amount of attenuation for all axes simultaneously. Lower values will result in shorter decay times, while higher values will increase the sustain and create more complex echoes.
  5. To blend the dry and wet signals, use the mix parameter on channels 1 and 2. This will determine how prominent the delayed signal is in the mix. Increase the mix value for a more pronounced effect, or decrease it for a subtle touch of spatial depth.
  6. Adjust the axis gains to control the pre-delay gain on each channel. The gains affect the direct channel outputs before any post-processing, so they have an impact on the overall balance of the audio.
  7. In order to hear the spatial effect, make sure you route the output of the 3 Axis Pingpong Delay 1.0 device to a stereo bus or audio track.
  8. Play your drum loop and listen to the enhanced spatial soundscapes created by the 3 Axis Pingpong Delay 1.0. Take note of how the delays bounce around in different directions, creating an immersive and dynamic effect.

By experimenting with the various parameters of the 3 Axis Pingpong Delay 1.0 device, you can achieve captivating spatial soundscapes that add depth and movement to your audio productions.

In this example, we will explore how to use the 3 Axis Pingpong Delay 1.0 to create a dynamic and immersive spatial effect on a synth lead.

  1. Load the 3 Axis Pingpong Delay 1.0 device onto a MIDI track in Ableton Live.
  2. On the device interface, adjust the "Room Size" control to set the desired delay time. Increase the value for longer delays, simulating a larger room size.
  3. Next, adjust the "Position" control to set the separation between the delays on opposite sides of the same axis. Experiment with different values to achieve the desired stereo width.
  4. To control the feedback or the number of repetitions of the delays, use the "Feedback" knob. Increase the value for a more prominent and sustained effect.
  5. For conventional stereo output, use the mix controls on the "Channel 1/2". Adjust the "Dry/Wet Mix" control to balance the original dry signal with the delayed wet signal.
  6. If you want to emphasize specific spatial axes, such as left/right, front/back, or up/down, use the corresponding channels (3/4, 5/6, 7/8). Adjust the "Axis Gain" knobs to control the gain of each axis. This will affect the direct channel outs, allowing for precise spatial control.
  7. Experiment with different settings on the device to create unique spatial soundscapes. Try automating parameters like room size, position, and feedback to add movement and variation to the effect.

Remember to adjust the parameters based on the characteristics of your audio source and the desired outcome. Have fun exploring the spatial possibilities offered by the 3 Axis Pingpong Delay 1.0!

Further Thoughts

One interesting way to use the 3 Axis Pingpong Delay 1.0 is to create a dynamic and immersive spatial soundscape for a live performance or a studio production. By taking advantage of the device's unique three-dimensional pingpong effect, you can create the illusion of sound moving around the listener in a virtual space.

Here's a step-by-step guide on how to achieve this:

  1. Start by inserting the 3 Axis Pingpong Delay 1.0 on a desired track in Ableton Live.
  2. Set the Room Size parameter to a larger value to create longer delay times. This will add depth to the sound when the pingpong balls bounce off the virtual walls.
  3. Experiment with the Position parameter to adjust the separation between the delays on opposite sides of each axis. This will determine the perceived movement of the sound in the virtual space.
  4. Increase the Feedback parameter to add more repetitions and sustain to the delays. Be careful not to overdo it, as excessive feedback can lead to unwanted sonic artifacts.
  5. Use the Axis Gain knobs to control the gain before the post-processing stage. Adjusting these parameters will affect the intensity of the individual channels, allowing you to fine-tune the balance between left/right, front/back, and up/down directions.
  6. If you want to create a more traditional stereo effect, use the Channel 1/2 mix and the Mix parameter to control the dry/wet balance. This will also influence the overall spatial feel of the sound.
  7. Take advantage of the additional channels (3/4, 5/6, 7/8) to further shape the spatialization of your audio. For example, you could route specific sounds, such as background atmospheres or reverbs, to these channels to enhance the immersive experience.
  8. Experiment with different sound sources and effects to maximize the spatial effect. For instance, try using panning automation alongside the 3 Axis Pingpong Delay to create intriguing movement within the three-dimensional space.

By exploring these techniques and pushing the boundaries of spatial sound, you can achieve captivating and immersive auditory experiences that truly engage your listeners. The 3 Axis Pingpong Delay 1.0 opens up a realm of possibilities for sound designers, musicians, and producers looking to venture into the world of spatial audio. Enjoy exploring the sonic landscapes!

links

social