‘One and Done 1.0’, created by DougHirlinger, is a uniquely developed Max4Live MIDI Transformation device designed to provide musicians with an efficient approach to playing sounds and triggering samples in their Ableton Live sessions. The core of this device is its inventive gate system, which is engineered to open with a single MIDI note, allow that note through, and then close. The gate can then only be opened by playing a specifically designated MIDI note. This creative workflow enables musicians to ensure that only specific sounds are allowed through during certain parts of a song, thereby ensuring the perfect blending of layers.
Furthermore, 'One and Done' provides users with the ability to filter notes that pass through the open gate. Notes can be filtered in two main methods. You can specify up to four individual notes for the device to stop. Alternatively, you can specify a note range, and any notes outside of this range will be rejected by the gate. This power to modulate MIDI flow in real-time enhances the versatility of the device and provides a vast scope to experiment and innovate.
The unique feature of this MIDI transformation device is its ability to adjust the note and velocity passing through the gate. You can either choose to retain the original note and velocity or have the device generate a new note and velocity with a set duration. This capability of 'One and Done' to introduce or amplify dynamics in a performance brings another layer of creative control to an artist's palette.
Despite not having any updates since its initial implementation, 'One and Done' is an impressively ingenious tool for transforming MIDI flow within Ableton Live. It carves out a new approach to managing the MIDI flow in your live sessions, moving from a free-for-all to an intricately managed system where every note has a purpose and place.
You can view a demo video of this device on DougHirlinger's website, showcasing the immense possibilities 'One and Done 1.0' can bring to your Ableton Live performance setup. To explore this innovative tool further, visit the maxforlive website. Let this inventive tool model new ways of controlling, manipulating, and layering sound in your musical journey. Let your MIDI express uniquely with ‘One and Done 1.0’.
Example Usage
Imagine you’ve just set up a live performance set in Ableton Live, and you're eager to introduce a captivating layer by triggering specific samples right at the perfect moment. However, maintaining control when nerves and excitement kick in can be challenging, especially for those relatively new to live performance. With 'One and Done', novices can effortlessly bring precision and creativity to their performances.
First, load 'One and Done' onto a MIDI track that’s receiving input from your main MIDI controller. Once loaded, its intuitive interface will make it easy to understand its workflow. To begin, decide which note on your MIDI controller you want to use as your trigger. This will be the specific MIDI note that, when played, will pass through the gate and send a signal to your connected instrument or effect.
Next, use the ‘Trigger Note’ setting on the device to designate your selected MIDI note. Now, when you play this note, it passes through the device once and automatically shuts off—this ensures your sound or sample doesn't unintentionally play multiple times with repeated presses.
For a basic application, try opening the gate by playing a different designated MIDI note you choose, allowing you to control when your action is available again. This feature is invaluable during performance, offering a fallback to seamlessly cue the next trigger on your terms.
Finally, to enhance your performance dynamics, ‘One and Done’ allows you to filter certain notes or detect and pass only those within a defined range. You might want to filter out some notes that clutter your mix, or focus on a range that highlights the timbre of your sounds.
To explore these features further or troubleshoot your setup, consider watching the informative video provided via the device’s Gumroad link. This learning tool will help ensure you fully understand the nuances of effectively using 'One and Done' in your sessions. With time and practice, you’ll master exploiting its capabilities, impressively navigating your live sets with ease and precision.
Imagine you’re crafting a compelling live performance set in Ableton Live, and you want to add dynamics to your MIDI-controlled instruments. Here's how you can elevate your tracks using the 'One and Done 1.0' Max4Live device by Doug Hirlinger.
Start by preparing a MIDI track with a virtual instrument loaded, say a rich pad or an atmospheric synth that works well for your genre. Insert 'One and Done 1.0' onto this MIDI track. The goal is to create a captivating entry and exit for your synth using your MIDI controller.
Let's focus on a performance scenario where you want a particular chord to punctuate the track at specific moments. Use 'One and Done' to allow a single MIDI note to trigger your synth chord, effectively silencing any additional, unintended notes on that channel until you're ready for the next intentional striking. This is perfect for creating a stinger-like effect, where you have specific points in the track that require precise emphasis.
First, configure the device to let through just one MIDI note by activating the gate closure after the first note is played. This will prevent any further MIDI note from triggering the synth until you reset the gate. Use a designated MIDI note that you decide is your 'reset' note to reopen the gateway, allowing the next chord to strike once more during your performance.
For a more controlled and exact highlight, employ the note filtering option of 'One and Done.' Set it to only respond to specific notes, such as the root or the fifth of your key. This adds exactitude, ensuring your dynamic strikes are always harmonically relevant to the track.
Moreover, one advanced tactic would involve regulating these entries and exits by mapping a fader or button on your MIDI controller to the reset note. When returning to the chord, a simple push or slide would enable the gate, creating a tactile and responsive element in your performance.
Pairing this technique with ambient effects like reverb and delay on your virtual instrument can transform these single-note entries into assertive, space-defining sounds that punctuate your live set impressively. Through the use of 'One and Done 1.0', not only will you streamline the MIDI messaging process, but you’ll also inject your performance with layers of intentionality and drama.
For more nuanced tricks, watching Doug Hirlinger's video tutorial on the device can offer additional insights and expand your creative possibilities. His expertise ensures that 'One and Done 1.0' is not just a device for control but also for empowerment within the MIDI spectrum.
Further Thoughts
To unleash the full potential of 'One and Done 1.0', let's delve into a sophisticated application that can redefine your live performance dynamics using Ableton Live.
Imagine a scenario where you are controlling a rhythmic sample playback with pinpoint accuracy while improvising over a complex live set. Begin by adding 'One and Done' to the MIDI track that receives input from your external MIDI controller. This controller is used to rouse up drum racks holding an array of percussive loops and one-shot samples.
First, utilize 'One and Done' to enforce temporal precision. Choose a specific note, say C3, that functions as a control note. By configuring this, the device allows only the first press of C3 to initiate the loop, effectively employing it as a 'one-time trigger'. This gate will close immediately afterward, thus preventing unintended retriggering during an intense live set.
For reopening the gate, assign another note, say D3, to act as a reset button. By striking D3, the device's gate is reset, ready to accept another C3 input for the next segment of your performance. This is pivotal during a live gig where spontaneous decisions and transitions are essential.
To demonstrate the versatility of 'One and Done', explore its transformation feature, especially when dealing with complex velocity dynamics. Tailor the threshold of velocity sensitivity to disguise your touch, letting it dynamically toggle between generating the intended note and bypassing it based on your play style. For instance, any velocity above 100 triggers an alternate sample or loop, infusing unexpected variations and maintaining audience engagement.
Further, by filtering specific notes through its designated range capability, you can have 'One and Done' seamlessly handle passages of notes. This ensures only the desired notes or a range of them, such as A2 to C4, pass through to trigger effects or modulations, keeping other extraneous notes at bay.
This setup not only refines the control over MIDI-triggered instruments but also bolsters your ability to layer, transform, and switch between samples with ease and precision. 'One and Done' stands as a powerful ally in maximizing your performance impact, offering unbroken creativity while handling your MIDI inputs proficiently. For an in-depth understanding and visual guidance, visit Doug Hirlinger's detailed video tutorial at the link provided in the device description.