The article explores the various parameter items of Forbidden Boids 1.0, including overall speed, maximum and minimum speed range, strength of attraction, and preferred distance from neighbors. Additionally, the device features hidden settings that can be configured for further customization.
For users interested in experimenting with audio clustering and boid control, Forbidden Boids 1.0 offers a unique and creative solution. The article provides reference links to boids_max for additional exploration and forbidden_planets for related tutorials.
Forbidden Boids 1.0 is compatible with Ableton Live version 10.1.18 and Max version 8.1.5. It falls under the categories of synth, effect, other, and m4lhackevent. The device is available for commercial use and can be downloaded from the provided link. :internal_private_article_id: forbidden-boids
The Forbidden Boids 1.0, developed by tsugumasa320, is a delightful assimilation of an intriguing idea and intuitive technological mechanics. This powerful Max4Live device envelops you in a sea of sound clusters, controlled with the captivating concept of boids - flocking creatures that follow simple behavioral rules producing complex group behavior.
Instantly captivating, the interface presents a digital playground. It lets users navigate the sound map where the horizontal and vertical axes correspond to frequency and volume, respectively. Fluttering constellations of boids can be corralled and herded using the computer mouse, presenting a fun, interactive way to sculpt and mould your sound.
A deeper dive uncovers an array of parameter controls that allow for intricate customisation. Here, you can manipulate aspects like overall speed of the boids, the maximum and minimum speed range, the strength of attraction within the cluster, and the preferred distance between neighboring boids. Each tweak brings a distinct flavor to the sound, opening a door to endless possibilities.
What sets Forbidden Boids 1.0 apart is the inclusion of hidden settings. Available to those with a keen eye and a curious mind, these can be unlocked and configured to suit your sound design needs and be privy to that extra level of personalisation.
The device is designed to manipulate filters for white and pink noise alike. It finds roots in the boids_max, a memory of its inception and development. For novices or those unfamiliar with the concept of boids, the forbidden_planets tutorial on Cycling 74's website serves as an insightful primer.
Importantly, Forbidden Boids 1.0 is compatible with Ableton Live Version 10.1.18 and Max Version 8.1.5. The device contentedly sits in the categories of synth, effect, other, and m4lhackevent, showcasing its diverse utility.
For those looking to add uncharted dimensions to their sound, to experiment, create, and dissolve in the realm of boids, Forbidden Boids 1.0 is available for commercial use and can be conveniently downloaded using the provided link.
Insightful, immersive, and greatly interactive, Forbidden Boids 1.0 feels like an artistic science experiment - one that blurs the line between playful creation and professional sound designing. It is an ode to the joy of sound exploration - a testament to the innovations in electronic music.
Example Usage
Usage Example:
In this example, we will explore how to use the Forbidden Boids 1.0 device to control sound clusters with ease. This device allows you to manipulate white noise and pink noise filters, with the GUI's horizontal axis corresponding to frequency and the vertical axis to volume.
To get started, follow these steps:
- Download the Forbidden Boids 1.0 device from the official website [link](https://tsugumasa320.gumroad.com/l/mobkt) and install it into your Max4Live devices folder.
- Launch Ableton Live 10.1.18 and open a new Live Set.
- Insert an audio track in your Live Set.
- Drag and drop the Forbidden Boids 1.0 device onto the audio track.
- Take a moment to familiarize yourself with the GUI. You'll notice various parameters such as speed, max speed, min speed, attract, and prefdist. These parameters control the overall behavior and characteristics of the sound clusters.
- Use the mouse to control the boids. Manipulate the x-axis and y-axis to specify the desired behavior of the sound clusters. Observe how the boids' movements affect the sound output.
- Experiment with different parameter values to achieve your desired sound. Adjust the speed, attraction strength, and preferred distance to customize the behavior of the sound clusters.
- Feel free to explore the hidden parameter items as well. These additional settings can provide even more flexibility and creative possibilities.
- For further guidance and inspiration, reference the official documentation and demo videos available on the device's webpage [link1](https://www.youtube.com/watch?v=UVZIbM53eKY&ab_channel=tsugumasa320) and [link2](https://www.youtube.com/watch?v=jsY8lRZbgGQ&ab_channel=tsugumasa320).
- Incorporate the controlled sound clusters into your music production or live performance, and enjoy the unique sonic possibilities offered by Forbidden Boids 1.0.
With Forbidden Boids 1.0, you have a powerful audio device at your disposal for controlling complex sound clusters. Embrace experimentation and unlock new realms of creativity in your electronic music production.
To showcase the intermediate-level usage of the Forbidden Boids 1.0 Max4Live device, let's explore how you can create dynamic soundscapes using the boids control feature.
- Start by loading the Forbidden Boids 1.0 device onto a MIDI track in Ableton Live.
- Create a few MIDI clips with different note sequences and rhythms in the session view.
- Open the Forbidden Boids 1.0 device and navigate to the "Boids Controls" section.
- Use the mouse to control the boids' movement by clicking and dragging inside the GUI. Notice how the boids' behavior affects the sound clusters.
- Experiment with the "x-axis" and "y-axis" controls to specify the boids' movement along the horizontal and vertical axes. This way, you can have more precise control over the sound clusters.
- Adjust the "speed," "max speed," "min speed," "attract," and "prefdist" parameters to modify the overall behavior and movement of the boids. These parameters allow you to create various sonic textures and densities.
- In the device's GUI, you will see that the horizontal axis corresponds to frequency, and the vertical axis corresponds to volume. Use this relationship to shape the timbre and dynamics of the sound clusters by moving the boids around.
- Engage the filters for white noise and pink noise available in the Forbidden Boids 1.0 device. Experiment with different cutoff frequencies and resonance settings to further sculpt your sound clusters.
- To add more variation and interest to your composition, automate the parameters of the Forbidden Boids 1.0 device over time. Assign MIDI or automation envelopes to the device's parameters and create evolving soundscapes.
- Once you're satisfied with your creation, record the output of the Forbidden Boids 1.0 device to an audio track to capture your dynamic sound clusters.
The Forbidden Boids 1.0 Max4Live device offers incredible control over sound clusters, allowing you to create immersive and ever-changing sonic landscapes. With its intuitive GUI and flexible parameter options, you can unleash your creativity and explore new sonic possibilities.
Further Thoughts
One expert-level usage example of the Forbidden Boids 1.0 Max4Live device is creating dynamic soundscapes in a live performance. By controlling a large number of sound clusters with boids, the device offers endless possibilities for sonic exploration.
To demonstrate this, imagine a live electronic music performance where the artist uses Forbidden Boids 1.0 to generate evolving textures and patterns. The artist manipulates the boids using the mouse, guiding their movement along the x and y axes. Each boid represents a sound cluster, and its position on the GUI corresponds to the frequency and volume of the associated sound. By controlling the boids, the artist creates complex movements and interactions between sound clusters, resulting in an intricate and immersive sonic experience.
Throughout the performance, the artist adjusts parameters such as overall speed, maximum speed, minimum speed, attraction strength, and preferred distance from neighbors. These parameter changes shape the behavior of the boids, allowing the artist to control the pace, density, and spatial distribution of sound clusters.
Additionally, the Forbidden Boids 1.0 device offers filters for white noise and pink noise, further enhancing the sonic palette. The artist can manipulate these filters in real-time, sculpting the spectral content of the sound clusters as they move and interact.
By combining the control of boids with the manipulation of sound parameters, the Forbidden Boids 1.0 device opens up a new realm of possibilities for creating dynamic and expressive soundscapes in live performances. Its versatility, intuitive interface, and vast parameter options make it a powerful tool for electronic musicians seeking to push the boundaries of their sonic explorations.