The Feedbacker 1.0 by AkihikoMatsumoto, a pioneer in the field of software synth creation, is a fierce tool designed specifically to unleash the rugged sounds that Noise Industrial enthusiasts crave. Drawing inspiration from the erratic expectations of no-input mixers, the device layers raw, distorted and chaotic soundscapes that chatter, whirr, and scream, taking listeners on a journey through an industrial apocalypse. The Feedbacker 1.0 is for those of us who take joy in the unpredictable, the distorted, and the outright extreme.
To get started on this adventure, you'll need Ableton Live 10.1.18, the version this tool is designed to work with flawlessly. Reference the Max Version that was used for creation, which is 8.1.5 to ensure smooth operation. If you haven't done so already, download the Feedbacker from https://akihiko-matsumoto.gumroad.com/l/AbletonFeedbacker. Once downloaded and installed, you’re ready to break ground on your new industrial noise symphony.
The interface of the Feedbacker 1.0 is aplomb with engaging, yet simple controls that make it relatively easy to understand, yet still hold enough complexity to allow you to truly immerse yourself in the creation process. Swirls of cacophony can be controlled and manipulated, yet still retain their wild, untamed essence. It allows a free-flow of creative juices, giving you the freedom to experiment with the realm of industrial sound as much as you see fit.
Experimentation truly is key when using the Feedbacker 1.0. Between the range of harsh distortions, the glitchy loops, various other effects, and the ability to add a sting of static, there are endless opportunities to create a unique texture of sound. The device excels at creating alien landscapes and atmospheres that convey emotion and stark realism which can be both horrifying and intriguing at the same time.
Try adding the Feedbacker 1.0 to drums for a gut-punching, teeth-grinding experience or layer it over synths to create dystopian, off-world sounds. The sonic landscape that the Feedbacker 1.0 provides is suitable not only for making noise but for scoring films, gaming, and other multimedia. With the potential to add tension, character, and a certain je ne sais quoi to your projects, this tool is a must-have for any creative who is not afraid to step into unordinary territory.
Before you dive in, consider outfitting your Ableton Live with AkihikoMatsumoto's custom skin (found at https://akihiko-matsumoto.gumroad.com/l/AbletonCustomSkin) for a fresh and inspired look. Also, don’t forget to check out some of the artist's other handy plugins at https://akihikomatsumoto.com/download/ and play around with the demo and study sites (https://youtu.be/kzbgPdOpioA and https://akihikomatsumoto.com/study/ respectively) to help fuel your education on this sonic wonder.
This device pushes the boundaries of conventional audio manipulation. Use it as an opportunity to break free from the formulaic and produce sounds that are truly remarkable and unlike anything else. Remember, the aim here is not harmonized beauty, but unadulterated pandemonium. Express your most daring creative ideas with Feedbacker 1.0, push the envelope, and remember the only real rule in Noise Industrial genre is to defy the rules. Work through the chaos, enjoy the immersion, and unlock your potential to create truly groundbreaking sonic textures.
And of course, the Feedbacker 1.0 can be found on the MaxforLive library at https://maxforlive.com/library/device/10319/feedbacker. Now, go forth and ignite the industrial apocalypse with your new tool of destruction. Dare to create, dare to disrupt, and most importantly, dare to make some noise.
Example Usage
If you’re just getting started in the world of Noise Industrial music and want to add an authentic edge to your sound, Feedbacker 1.0 by Akihiko Matsumoto is the Max4Live device that can add the gritty, screeching distortion reminiscent of no-input mixers to your tracks.
Firstly, ensure you have Ableton Live 10.1.18 or later installed, along with Max version 8.1.5. If so, download Feedbacker 1.0 from the provided URL and then install it by dragging the downloaded device into your Max4Live folder or directly into an open session in Ableton Live.
Begin by creating a new audio track and load up a sound source – this could be anything from a synth line to a drum loop. Once you have your sound source set, simply drag Feedbacker 1.0 from your browser onto the track. You'll notice it appears as an audio effect on the track's device chain.
Start exploring the device by slowly increasing the 'Feedback' knob. As you do this, you'll hear the sound gradually start to distort and take on a more aggressive character. It's vital to manage feedback levels responsibly, as too much feedback can cause extremely loud and potentially damaging noise levels. Keep an eye on your master output level to make sure you're staying within a safe range.
Additionally, you can play with the 'Tone' controls to shape the frequency content of the feedback. Cutting the high frequencies with a low 'Tone' setting will give you a muddier, more subdued effect, whereas high 'Tone' settings will emphasize the piercing high frequencies that are characteristic of industrial noise.
You might also experiment with the 'Dry/Wet' control to blend the processed signal with the unprocessed original signal. This allows you to maintain elements of the original sound while still introducing the chaotic texture of feedback.
For even more experimentation, automate the 'Feedback' and 'Tone' parameters over time to create evolving textures—perfect for live performances or dynamic arrangements.
Remember, the key to using Feedbacker 1.0 effectively is experimentation and careful listening. So take your time to explore all the possibilities and create your unique brand of noise. With Feedbacker 1.0, you have a powerful tool that brings the ethos of no-input mixing straight into your Ableton Live session.
If you're looking to step into the harsh and unyielding world of Noise Industrial music using Ableton Live, the Feedbacker 1.0 by Akihiko Matsumoto can be a treasured addition to your audio effect arsenal. Here's an intermediate-level example of how to employ Feedbacker 1.0 to create a gritty, no-input mixer-style feedback loop that can add an aggressive edge to your productions:
Start by recording or importing a simple drone sound into an audio track on Ableton Live. The texture of the sound could be anything from a sustained synth note to a distorted guitar string—just make sure it has a somewhat steady sonic character.
Next, drag Feedbacker 1.0 onto the audio track with your drone. The user interface might seem intimidating at first, but you’ll soon see how these controls can sculpt some thrilling sounds.
Begin with the feedback knob at a low setting to ensure you understand how intense the effect will become as it is increased. Slowly raise it as you monitor the change in the sound. The key here is to find that sweet spot where the feedback introduces a complex harmonic structure without overpowering the original audio.
Experiment with the "Erratic" knob, which modulates the feedback circuit to introduce unpredictable artefacts and sonic variations. This is great for Noise Industrial genres where randomness and sonic accidents are often desired elements.
To create a more dynamic effect, automate the "Density" parameter over time. Start with a sparse setting and gradually increase to a dense, all-consuming feedback signal. This automation can be drawn in by hand or you could use a Max for Live LFO device to modulate it for a more organic feel.
Consider using the "Cut" parameter to filter out either the high or low frequencies from the feedback signal. This can prevent your track from becoming too muddy or piercing, and helps in mixing it with other elements in your track.
Apply the "Wet" control to blend the processed signal with the original drone. This will help in balancing the original tone with the new, more aggressive feedback-driven sound.
To bring even more life to the effect, map some of Feedbacker’s parameters to a MIDI controller. Perform real-time tweaks during recording to capture a performance that's as unruly and evolving as your music.
After getting a take you're satisfied with, consider duplicating the track and applying a different Feedbacker setting to the duplicate. Panning one hard left and the other hard right can create a disorienting stereo field full of dense textures.
When you're happy with the sounds you've crafted with Feedbacker 1.0, bounce them down to audio. This not only saves on CPU but also allows you to manipulate the feedback as a sound file, slicing it up and using it rhythmically, or reversing it for psychedelic effects.
This intermediate use case of Feedbacker 1.0 involves juxtaposing stability and chaos, a common theme in Noise Industrial music. By consciously modulating the feedback loop, you assert control over what is typically a wild, untamed process, and in doing so, mirror the genre's own blend of order and disorder.
Further Thoughts
In this in-depth exploration of Feedbacker 1.0, we delve into an advanced application that will entice any industrial noise aficionado seeking to incorporate raw, feedback-laden soundscapes into their compositions using Ableton Live.
Begin this sonic adventure by setting up a rhythmic pattern using a combination of kick, snare, and hi-hat, ensuring a robust percussive backbone. Now introduce an atmospheric pad drenched in reverb, which will act as the primary source for manipulation with Feedbacker 1.0, generating an immersive backdrop.
Add a new Audio Effect Rack on the pad's track and insert Feedbacker 1.0 as the first device in the chain. Immediately, you may witness a subtle change in the tone as you initiate the feedback process. Proceed with caution and a spirit of experimentation, slowly increasing the Feedbacker's 'Intensity' parameter until you reach a point just before self-oscillation. This setting should create a rich, undulating layer of harmonic distortion that adds depth and complexity to the pad.
To exploit Feedbacker 1.0's full potential, automate the 'Rate' parameter to evolve the frequency of the modulation in time with the tempo of your track. Begin with a slow, sweeping movement aligning with the eerie nature of industrial music. As you progress, automate the parameter to increase rapidly during transitions, providing a harsh, chaotic shift that industrial noise enthusiasts will appreciate.
Next, utilize the instrument rack's macro controls to map critical parameters from Feedbacker 1.0, enabling you to perform real-time tweaks during your live session. Consider assigning macros to 'Feedback', 'Dry/Wet', and 'Offset' for responsive control. Dynamic modulation of these controls can turn a single sustained note into a howling, morphing beast—an essential technique for generating tension and industrial grit.
Lastly, to add even more sonic variance, insert a Random LFO Max4Live device before Feedbacker in the chain. Configure the LFO to modulate the 'Dry/Wet' balance of Feedbacker. With this setup, the LFO will randomly interfere with the amount of processed and unprocessed signal, creating a sporadic entry of raw distortion that is quintessential for noise industrial compositions.
As the track progresses, you should find that Feedbacker 1.0 serves not just as an effect, but as an instrument in its own right, capable of generating unpredictable and aggressive textures. Record the output in real time, capturing both intentional automations and serendipitous anomalies, which can be further edited or sampled to create new layers or motifs within your track.
In conclusion, Feedbacker 1.0 emerges as a tremendously versatile tool, perfectly attuned to the needs of the noise industrial landscape. With creative routing, automation, and real-time control afforded by Max4Live and Ableton Live, this device is indispensable for artists seeking to push the boundaries of audio manipulation and distortion.