Immerse yourself into a world where rhythm and space bend to your every whim as you explore Akihiko Matsumoto’s Bouncing Delay 4.0. Taking inspiration from the physics of a bouncing ball, this Max4Live device transforms your Ableton Live setup into a well of endless sonic possibilities.
One of the most intriguing things about Bouncing Delay 4.0 is the concept at the heart of its design. Instead of tweaking a traditional delay, you're adjusting the behavior of a bouncing ball. You can manipulate how it bounces, exploring the depth of its feedback, and even change its 'bouncing' rhythm. Every tweak can lend profound shifts in echo patterns, encouraging limitless creativity in designing their dynamic rhythmic structures.
A significant update on previous iterations, Bouncing Delay 4.0 now features 32 delay taps. By adding 8 more taps into the mix, Ableton producers have a more expansive canvas for creating complex delay patterns that evolve and morph over time. This amplifies the original's potential, making this novel audio effect a must for producers who favor adventurous sound explorations.
The 32-Tap Bouncing Delay is a breeze to navigate, even with the updated additions. What's more, hands-on learning is easy with the comprehensive demo movies available on Akihiko Matsumoto’s YouTube channel. The videos demonstrate the device's vast potential, showcasing how it can morph a simple session into an exhilarating, echo-filled sound adventure.
Despite registering no downloads yet, don’t let that fool you. This is a relatively new entrant in the market which means that many Ableton producers haven’t yet stumbled upon this gem. Plus, the requirement of Live version 12.0.5 and Max version 8.6.2 means the device is ideally suited to the cutting edge, working best with the latest software updates.
Bought on a commercial license, Bouncing Delay 4.0 is available for purchase through the creator’s Gumroad account. And for those who wish to consult additional information, the device can be found at https://maxforlive.com/library/device/10669/bouncing-delay.
It’s clear that the potential of Bouncing Delay 4.0 to revolutionize your session is as vast as its multiverse of echoes. Don’t miss out on this opportunity to take your audio manipulation in Ableton Live to new creative heights. From sculpting intricate rhythmic landscapes to crafting nebulous sonic environments - there’s an echo-filled universe out there waiting to be explored.
Example Usage
Imagine you have a simple chord progression recorded with a bright, clean electric piano in Ableton Live, and you're aiming to add a rhythmic, evolving texture to make your arrangement stand out. The 'Bouncing Delay 4.0' by Akihiko Matsumoto is the perfect Max4Live device to embark on such an adventure.
First, download and install the 'Bouncing Delay 4.0' device from Akihiko Matsumoto’s Gumroad page. Once installed, open your Ableton Live set and drag the Bouncing Delay directly onto the electric piano track.
With the delay now in place, start with the 'Dry/Wet' knob at 50% to blend the effect with your untouched signal. This ensures that your original chord progression will still be prominent in the mix.
You'll notice the unique 'Gravity' control. This parameter simulates how a bouncing ball would react under the influence of gravity, affecting the rhythmic pattern of the delay taps. Set 'Gravity' to a moderate value to create a sense of momentum in the delays.
Next, explore the number of 'Taps.' Set it to 8 for a more complex pattern that catches your listener’s ear. Adjust the 'Time' knob to dial in the rhythm of the delays precisely, syncing it with your project tempo for a seamless experience or setting it freely to give a more organic feel.
Experiment with 'Feedback' to control how many times the delayed signal will repeat. A lower value will give you a few tasteful repetitions, while a higher value can create a cascading wall of sound.
Finally, you can play with the 'Pitch' control in fine increments to add a subtle detuning effect to each delay tap, enriching the texture of the overall effect.
By tweaking and automating these parameters throughout your arrangement, you can turn a static chord progression into a captivating and dynamic part of your song. Remember that with Max4Live devices like 'Bouncing Delay 4.0', experimentation is the key to uncovering new sonic territories.
Harness the dynamic echoes of the Bouncing Delay 4.0 by Akihiko Matsumoto to create a mesmerizing atmosphere in your composition. Here's how you can utilize it in your Ableton Live 12.0.5 session to add depth to a simple melodic line:
- Create your melodic source: Start by recording a simple monophonic synth line—think of a sequence that would benefit from rhythmic repetitions.
- Insert Bouncing Delay 4.0: Drag the device onto your synth track. It's located under the Audio Effects section in your Max4Live devices.
- Initial settings: Set the first tap delay time to a quarter note. Enable only 8 out of the 32 taps to start simple. Each tap will represent the 'bounce' of your audio signal.
- Customize tap intervals: Progressively decrease each subsequent tap’s delay time to simulate a bouncing ball effect. The delay time should mimic the physics of a bouncing ball reducing in momentum.
- Sculpt the tone: Utilize the filter section to shape the frequency content of your echoes. For a warmer sound, roll off the high frequencies by adjusting the low-pass filter.
- Adjust the feedback: Carefully increase the feedback parameter to control how many times your taps will repeat before decaying. Find a balance that enriches the texture without overwhelming the mix.
- Pan the taps: To create a wide stereo image, pan your taps left and right in an alternating fashion. This will give the illusion of the sound bouncing across the stereo field.
- Automation for movement: Record automation for the filter cutoff and tap volume to introduce changes over time, which can create a living, breathing delay effect that evolves throughout your track.
- Experiment with modulation: The Bouncing Delay 4.0 offers modulation options. Assign LFOs to modulate parameters like delay times or filter frequencies for added motion.
By delving into these steps with your Bouncing Delay 4.0 in Ableton Live, you'll find yourself on a quest through cascading echoes that breathe life into your productions. This is just the beginning of what is possible with Max4Live devices, and as always, the key is to experiment until you find the blend that compleates your unique sonic palette.
Further Thoughts
Venturing into the labyrinth of echoes with the Bouncing Delay 4.0 affords us the ability to conjure complex rhythmical patterns and ambient soundscapes that go beyond the capabilities of a conventional delay effect. Let's dive into an expert-level example illustrating how one might employ the intricate features of this Max4Live device to explore the outer reaches of delay-driven sound design in an Ableton Live session.
Imagine we're constructing an evolving ambient piece centered around a simple melodic motif played on a Rhodes electric piano. To imbue this motif with an ever-changing, hypnotic quality, we instantiate the Bouncer Delay 4.0 on the track. We start by setting a primary delay time that syncs with the project's tempo and feeds a modest amount of feedback to create a foundational echo.
Now, for the transformative step: we assign each of the 32 taps to incrementally shorter delay times, resembling the physics of a bouncing ball where each bounce is shorter than the one before. By judiciously adjusting the feedback and spread parameters, we ensure that the taps coalesce into a rhythmically engaging cascade that mirrors the dynamics of our Rhodes.
To further sculpt the soundscape, we reach for the filtering section of the Bouncing Delay 4.0, imposing a high-pass filter on the early taps to lend them a thin, ethereal character, and a low-pass filter on the later taps to create a murkier, more ambiguous tail. The result is a mesmerizing interplay of clarity and obscurity.
Next, we harness the pan controls to send the various taps dancing across the stereo field. With precise automation, we craft a bewitching auditory illusion as our delayed notes seem to play a game of hide and seek, appearing and disappearing in the periphery of the listener's auditory sphere.
To add further complexity, we modulate the delay times with subtle LFO movements, granting life to our echoes as they rhythmically stretch and compress over time, mimicking the breathing of the piece itself. By engaging the device's Freeze function at strategic moments, we capture snapshots of our delays, suspending them in time to serve as a haunting backdrop over which the original motif continues to unfold.
As a final touch, we send a portion of our delay signal through a separate return track laden with a shimmering reverb and a touch of granulation. This synthesized atmosphere interacts with the primary delay effect in real-time, creating a lush, three-dimensional soundscape that transports the listener through an immersive auditory journey.
Throughout this sonic exploration, the dexterous use of Bouncing Delay 4.0 transcends traditional expectations of delay, transforming a simple melodic phrase into a complex and captivating auditory experience that exemplifies the depth and versatility of Max4Live devices within Ableton Live.