Other articles


  1. Exploring the Stereo Bit-Crush Delay 1.0 - A Free Max4Live Device for Creative Sound Manipulation

    The Stereo Bit-Crush Delay 1.0 is a free Max4Live device created by axersfall. In this article, we dive into the world of sound manipulation with this unique audio effect. We discuss its features, functionality, and how it can be used to creatively modify your sounds. Whether you're a beginner or an experienced producer, this device offers a new set of possibilities in your music production journey. Download the device for free and start exploring the endless sonic possibilities today!

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  2. Maximizing Modulation with LineFO: A Look at synnack's Simulated LFO Max4Live Device

    In this article, we will be exploring synnack's Simulated LFO Max4Live device called LineFO. LineFO is a powerful tool for modulating device parameters seamlessly. Unlike traditional LFOs, LineFO does not rely on oscillators, but instead utilizes the Max line object to simulate various LFO shapes. The motivation behind building this device was to minimize the performance impact of using multiple LFOs in complex projects.

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  3. Revolutionize Your Music Production with Group Humanizer 1.7 Max4Live Device: An Overview and Tutorial

    The Group Humanizer 1.7 is a Max4Live device that revolutionizes music production by synchronizing the timing of multiple tracks, giving the illusion of musicians playing together. This article provides an overview of the device, its features, and how to use it in your productions. Developed by humanize and inspired by research on human musical rhythms, the Group Humanizer suite consists of several plugins, including settings, player, and human input. The latest version, 1.7, offers improved communication between plugins and bug fixes. With over 36,000 downloads and an average rating of 5, this device is a must-have for producers looking to humanize their MIDI tracks. Check out the article for a detailed tutorial and unleash the potential of Group Humanizer 1.7 in your music productions.

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